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Interview with Feathered Quill

Details
Published: 03 September 2024
Feathered Quill published an interview of me today, following its review last week of the novel, Toys in Babylon - A Language App Parody and Whodunnit. These were the questions:
  1. First I would like to tell you that I absolutely loved this story. I think it is so much fun and such an interesting presentation. I was impressed with every bit of it. I know you explained in the beginning of the book how it came to be but I am wondering what made you decide to take it and go further and put it out there in book form for all readers.
  2. I really adored the characters, both human and cartoon. When you were writing it, did you develop any particular favorite(s)?
  3. Do you have any plans to continue with these characters and give readers another glimpse into their lives or is this the end of them?
  4. I see by your author blurb that you have spent most of your life working in law and finance. What made you start writing? Is it just a hobby or something that you see as your new career?
  5. Can you share with the readers a bit about other book(s) that you have written?
  6. Having no background in languages myself I am wondering how many different languages you have studied and what your favorites are?
  7. When Patrick Finegan is not writing or working, what does he like to do? Any particular hobbies that you focus your time on?
  8. I always like to ask about an author’s favorite genres/writers. What types of books do you like to read yourself if there is time? Are there any particular authors that have influenced you and your own writing along the way?
  9. Can you tell us what is next for Patrick Finegan in life? Any new books on the horizon?
You can read the entire interview here: https://featheredquill.com/author-interview-patrick-finegan-2/
Thank you, Feathered Quill!

Gocheer buys 5 star reviews; shows contempt for its customers

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Published: 25 August 2024

I write fiction and am therefore no stranger to literary deception. But there are boundaries. Deception ends when I turn my attention away from the manuscript. I do not countenance fraud in real world.

The attached solicitation arrived via USPS in my mailbox yesterday, purportedly from the Amazon “Customer After-sales Team” but signed This email address is being protected from spambots. You need JavaScript enabled to view it. – a clear tip-off to forged identity.

The sender was the Chinese consumer appliance brand Gocheer or its US distributor. The letter entreats me, a verified customer, to leave a 5-star review in exchange for a $40 Amazon Gift Card. The dehumidifier in question had 9,139 reviews as of 1:30 pm this afternoon. Approximately 6,300 (69 percent) of those reviews awarded 5 stars. It makes me wonder. Did Gocheer pay $250,000 ($40 x 6,300) to dominate the dehumidifier market on Amazon? And did Gocheer really think this could continue unchecked?

One of the great no-no’s in literature is paying for “likes”; it is strictly forbidden by Amazon’s terms of service. Despite the taboo, there are nevertheless countless “author service companies” on the Internet which aggressively stretch the envelope. But no one is as brazen in the literary world as Gocheer is in the world of consumer products. Forgery, mail fraud, consumer fraud, and a permanent, physical paper trail? Grant the company this: it has chutzpah… a new 1-star rating, and a copy of this missive in the hands of Amazon’s in-house counsel. Well played, Gocheer. Perhaps you should anoint yourself Gocry.

What are "friends" for?

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Published: 24 August 2024
“[W]hat did Jacques know? He remembered Anton’s admonition, “We are all friends, here.” Sure, the way Facebook defines friends. What Anton and Mark Zuckerberg really mean are “Casual Acquaintances”. At least LinkedIn is honest. Its Networks are comprised of Contacts, nothing more. Jacques’ colleagues qualified as contacts, not that they filled his LinkedIn page. Jacques’ contact page was filled with retirees and dead people.” From Toys in Babylon – A Language App Parody and Whodunnit.

There was a time, before and during the pandemic, when social media platforms were incredibly popular. Facebook, Instagram and Twitter were a cornucopia of shared information and celebration – birthdays, anniversaries, retirements, new homes, gardening triumphs, memorable vacations, newborn children, and endearing pets. I counted 300+ “friends” on Facebook in 2020 and 250+ “contacts” on LinkedIn. At least a third were genuinely active, meaning they posted regularly and “liked” or commented on the posts of others. Many even solicited for charities. Without hesitation or exception, I contributed. If a friend said their special birthday wish was to assist a charity, who was I to ignore that wish? Heck, I still donate. Always.

I published my first novel during those halcyon days of social media and received hundreds of “likes” and supportive comments on Instagram, Facebook, LinkedIn and Twitter. They meant a lot. As much as I tired of seeing what my daughter’s former skate coach ordered for dinner, Facebook felt like a genuine community. And community support was one reason, perhaps, why I continued writing, and one reason, perhaps, why those charitable contributions felt meaningful.

Facebook’s heyday has obviously passed, eclipsed by Heaven knows what. I doubt whether even 30 of my “friends” are still active. Half the posts on my feed are ads, and half are reposted memes – hastily prepared images or quips designed to trigger knee-jerk reactions and nothing more – authored anonymously by complete strangers. Rare indeed is the post containing genuine news or information about a friend.

No surprise then that announcement ten days ago of my latest novel, Toys in Babylon, received four “likes” on Facebook, including one re-post (Thank you!!!). Just four likes, plus zero on LinkedIn and X. It’s a good thing I catch up with friends in person. Otherwise, I’d need a psychoanalyst. Toys in Babylon is an entertaining read. I promise.

Composing in a foreign language, or merely translating?

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Published: 20 August 2024

My latest novel, Toys in Babylon, arose from an online challenge: Draft and post the next chapter of a community authored novella – but in two languages – then hand it off to the next contributor. I penned chapter one, then, impatient for others to contribute, completed the remaining chapters myself.

The German version of the novel, Bärenmord, goes on sale September 1. I owe a debt of gratitude to my editors, Ulrike Gemein and Regina Goetz, for making it comprehensible. Whether it is as captivating as I hope (i.e., “fesselnd”) remains to be seen.

I, for one, am pleased with the result, but I ask myself, “Did I really compose a book in two languages?” The honest answer is regrettably “no”. I did, in fact, compose the original first chapter (now chapter 2) entirely in German, waited a day, then translated it into English. But the remaining 24 chapters were composed in reverse – first in English, then German. I performed the translations by hand (zero AI), often laughably, always arduously, but from English to German, not vice versa. Conceptualizing plotlines and dialog in a foreign language is just plain hard.

Writers such as Vladimir Nabokov, William Somerset Maugham and Joseph Conrad hold a special place in my heart – not just because they were extraordinary writers, but because they composed and published their works entirely in an adopted language (English), and not initially in Russian, French or Polish. Ah well, next time perhaps two chapters!

One of the biggest translation challenges for me was identifying and reformulating passages that contain puns and colloquialisms, knowing they were doomed in a second language. Try explaining, for example, how an idea came “out of left field” to a native Bavarian when the closest he or she will ever come to understanding baseball is watching paint dry. Alternatively, the Bavarian may indeed understand your colloquialism, but divine from its formulation that you are a foreigner. Example: everyone on the planet understands the metaphor “a bull in a China shop” but native Germans say, “an elephant in a porcelain shop”. Different animal, different shop. Thank goodness for editors!

OpenAI and other AI engines may eventually make writers obsolete, but there will always be a market for good literary translators. I am hopeful my novel, Bärenmord – Ein Sprach-App-Parodie und Krimi, illustrates why.

America struggles with its multiracial identity

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Published: 19 August 2024

10.2 percent of the American population identified itself as multiracial in the 2020 United States Census, and genetic research suggests the actual percentage is higher. But Americans still struggle with the notion that races can somehow legitimately intermarry and, Heaven forbid, produce offspring. Yet the great “melting pot” is what distinguishes and defines America as a nation – makes us culturally richer and economically stronger. It is one of many reasons I look forward to this week’s convention.

I published my first novel, Cooperative Lives, in 2019. It was a critical, if not commercial, success, but had its fair share of detractors. In the years following publication, I commented publicly on just one review. I thought this a good time to republish my commentary.

The Steady Creep of Nationalism

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Published: 08 November 2019

This is the only time I have ever commented publicly about a reader review. My book appeals to some, turns off others. That’s the way it goes. And so it went with one reader review until I read the final criticism, one about inaccurately permitting a Greek character to bear a Slavic surname. Huh? Here, too?

I note in the preface that Cooperative Lives was written in 2013, before the present “global contagion of anti-immigrant nationalism.” No surprise, then, that the contagion spread to Online Book Club and infected one of its reviews.

It isn’t a favorable review, 2 out of 4, but that’s not uncommon. What is uncommon is the tacit nationalism of the criticism:

“Last but not least, the author struck a chord with a geographical inaccuracy I'm sensitive about. He did so by mistaking Macedonia with Greece and giving a character a Slavic Macedonian surname but a Greek passport.”

To be clear, the character in question is a Greek Cypriot national with a Slavic surname. The novel never mentions the respective land masses of Greece and the Republic of North Macedonia, and certainly doesn’t get them confused. But that is evidently not what annoyed the reviewer. In his post-Brexit, nationalist world, Greek characters must bear Greek surnames. Deviations are an “inaccuracy” or, worse, something that strikes a chord they’re sensitive about.

I’m sensitive about this subject, too, but in a different way. Back in 1982, when I was interviewing in law school, an attorney from Sidley & Austin conducted interviews on campus. There were twelve or thirteen pre-selected candidates, 30 minutes per interview, a call-back for one or two. When my turn came, he glanced at my résumé, observed me skeptically, then grilled me on “why I chose the name Finegan.” “You’re obviously not Irish,” he insisted. “What were you seeking to gain?” I was stunned. This was 1982. This was America. I explained that my father was Caucasian, that my mother was not. Explained this to … a lawyer. It’s the only interview I ever walked out on.

A close friend of mine hails from Iceland. His parents were natural born citizens of Iceland. All but one of his grandparents were from Iceland. My friend’s name is Moeller – a Swedish or German name, perhaps, but not Icelandic. I befriended him when he was still head of the Reykjavik Chamber of Commerce, back in 1990. He’s still a prominent civic figure in Reykjavik. I assure you; no one ever questioned the validity of his Icelandic passport.

Last I checked, Greece does not restrict the surnames of its citizens. Anyone who reads the news knows that the 2019 national Hellenic parliament includes members of non-Hellenic descent, including, quite prominently, Ilchan Achmet and Chousein Zeimpek. Yet they are Greek citizens with Greek passports. Imagine that; in this day and age!

The reader chose a German moniker, Herbstlicht. Apropos. Today’s New York Times ran a feature, “‘I Will Never Be German’: Immigrants and Mixed-Race Families in Germany on the Struggle to Belong.” It begins, “Thirty years after Germany’s unification, nearly 500 readers shared with us what it means to be German.” Five hundred respondents! I’ll bet dollars to doughnuts some had Slavic surnames.

There are plenty of gaffes in my novel, but the only chord this reviewer’s criticism struck was D-flat.

Toys in Babylon "Playlist"

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Published: 17 August 2024

Music plays an important role in my latest novel, Toys in Babylon. Snippets of lyrics permeate the text – often in English, sometimes in German, occasionally even in French. One such snippet – “We can be heroes just for one day” – is surely recognizable to everyone. Others are not – unless you grew up, as I did, in the sixties and became enamored of pop music on both sides of the English Channel. Fortunately, none of the musical snippets is so obscure that it cannot be sampled easily on YouTube. Here, for your listening pleasure, is my “playlist” from Toys in Babylon.

Pfishing Bots in Dire Need of AI

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Published: 16 August 2024

Yesterday was launch day for my novel, Toys in Babylon – a thinly-disguised parody of Duolingo and its quest to replace live educators with AI. Sales were sluggish when I logged into Facebook to check my feed. For whatever reason, there was a deluge of posts from KDP Free Book Reviews, a public group with just 9,100 members. Most were single sentence pleas to furnish a link to your book or share cover art with the group. Harmless, I thought, even if the vast majority of posters are racketeers in Nigeria or the Philippines who want to follow up by selling marketing “services”.

Somehow, I thought the threads were initiated and monitored by real people – perhaps just boiler-room scam artists, but real people nonetheless. I was wrong. Here is one such exchange:

Akinleye Mariam - Top contributor
Authors Kindly show off your book Link

 

Dozens of Facebook members responded, each posting a few words about their book and its listing on Amazon. I added mine:

Patrick T. Finegan
Things go horribly wrong when a Duolingo-like company replaces staff with AI so adroitly that its cast of cartoon educators begins thinking on its own. What follows is a madcap romp as the company struggles to put the genie back in the bottle. https://www.amazon.com/Toys-Babylon.../dp/B0CYDNGNX2
15h15 hours ago

 

Sixty minutes later, my phone chimed with a reply:

Reply: Akinleye Mariam - Author, Top contributor
Patrick T. Finegan Congratulations on your book! What actions have you taken to boost your sales?
14h14 hours ago

 

Fair question, I thought. Why not share my approach with others?

Reply: Patrick T. Finegan
Beginning late February, when I completed my first "clean" manuscript, I began writing to newspapers, magazines and bloggers globally. In each instance, I identified a writer who had written an article about Duolingo (anything, really), and centered my letter around that article. By June, I surpassed 250 individually-crafted letters. In 90% of the cases, I was able to email the writer directly. In 5% of the cases, I emailed the editor in chief, asking him or her to forward the letter on to the targeted writer. In the remaining 5% of cases, I used pen, ink and a stamp.

I followed up with a reminder mailing at the beginning of July. In each outreach letter, I included a link where the writer could download the latest author's proof in PDF format. I loaded the PDF on a server where I could track daily downloads, including geographic origin and IP address. The book was downloaded approximately 300 times, but there was considerable duplication. My estimate is that only half of the writers glanced at the file. Whether they write anything remains to be seen. The book was released to the public today, but I asked writers for reviews "following" publication. Fingers crossed.

In addition, Goodreads will give away 100 copies beginning 8/18 and Reedsy Discovery will invite reviews beginning mid-September. Other than that, I have not done much. My first novel, Cooperative Lives, sold approximately 750 copies but cost a small fortune to market -- 2 dozen book contests (21 awards!), 10-12 professional reviews, Amazon ads, plus several large giveaways. Selling books is gratifying, but not if marketing costs are prohibitive. I'd rather just write for a smaller audience. My first-day sales: just 7 copies.
14h14 hours ago

 

In the blink of an eye:

Reply: Akinleye Mariam - Author, Top contributor
Patrick T. Finegan Congratulations on your book! What actions have you taken to boost your sales?
14h14 hours ago

 

It turns out, every person who responded received the same automated inquiry. Lesson learned. Thank you.

There may, of course, be a real Akinleye Mariam out there. The associated profile and photo may even be genuine. But what does it matter? Yesterday her seat was occupied by a Bot – a really stupid one.

Fear not, the bots in my novel, Toys in Babylon, are smarter. Much smarter. Thankfully, they are still only fiction.

"Read Sample" - Amazon's Mysterious Algorithm

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Published: 15 August 2024

My latest novel, Toys in Babylon, was released last evening on Amazon – nearly seven months after completing the final chapter. Hooray!

The dual listings (Kindle and paperback) left me baffled. There is a wonderful button (“Read Sample”) under the cover photo of every Amazon book listing, enabling prospective buyers to peruse the contents before buying – the same way a bricks-and-mortar bookstore invites customers to leaf through its wares.

Amazon’s Kindle page for Toys in Babylon does just that. Read Sample includes the front matter, back matter, plus chapters one, two and much of three. The paperback’s page, by contrast, includes just front and back matter – not one sentence from the novel itself. Bizarre. And frustrating.

Dear readers, if your search for Toys in Babylon took you to the paperback edition, please click on the link to the Kindle edition. That way, you’ll get to read the first 2½ chapters – all courtesy of Amazon’s seemingly haphazard “Read Sample” algorithm.

Toys in Babylon drops at midnight

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Published: 14 August 2024

My novel, Toys in Babylon – A Language App Parody and Whodunnit, hits the shelves at midnight. It is a thinly-disguised parody of Duolingo – a popular online learning app.

Briefly, things go horribly wrong when a Duolingo-like company replaces staff with AI so adroitly that its cast of cartoon educators begins thinking on its own. What follows is a madcap romp as the company struggles to put the genie back in the bottle.

It was of course tempting to dwell on what seemingly every other writer obsesses about: Duo’s meme status as an unforgiving curmudgeon. The green owl’s penchant for guilting customers into maintaining or resuming their respective streaks is Topic Number One for nearly every YouTube video, TikTok, article or blog post about Duolingo on the Internet. But not Toys in Babylon.

Instead, I regard the mascot’s easy-to-hate pestering as a public relations feint, a clever marketing diversion – a way to titillate reporters and bloggers while the company struggles and, in many instances, blunders with more momentous issues – including, for example, whether to mothball or terminate dozens of courses, address security breaches effectively, dismiss legions of devoted foreign language volunteers, shutter an otherwise enormous and thriving community forum, erase years of Wiki-like commercial translation exercises, and, more recently, replace huge swaths of contractors with AI.

It is from these latter struggles that Toys in Babylon fills its inkwell. The company I satirize is fictitious, but it should resonate with anyone who has spent time cursing the owl. Happy reading!

Cooperative Lives is a 2019 Somerset Book Award First Place Winner

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Published: 14 August 2023

Look what landed in my hands, just in time for Christmas - a first place in literary fiction ribbon from the 2019 Somerset/Chanticleer International Book Awards (CIBAs). As book prizes go, the CIBA ribbon is the largest and most beautifully crafted memento I have seen, a wonderful adornment for my tree.

Some may recall that I entered my novel, Cooperative Lives, in the CIBAs shortly after publication. By January 20, 2020, it had advanced from the "infamous slush pile" (the award committee's actual phrase) to the long list. Cool, I thought. Two more strokes of good fortune and I'll book a flight to the Chanticleer Author's Conference and Award Banquet in Bellingham, Washington, held each year in April. Alas, COVID struck, the conference was postponed twice, and it was eventually replaced by a series of remote Zoom lectures, cocktail parties and award announcements. Many of the lectures were excellent, but nothing beats meeting fellow authors in person.

To stretch the suspense, CIBA issued a Somerset short list announcement February 6, semifinalist announcement February 14, finalist announcement July 13, first place announcement September 5, and the physical prizes on December 6. Thank you, Kiffer Brown and everyone at Chanticleer, for the lovely award and the care you took in winnowing down the contestants. I am incredibly humbled and grateful.

To be clear, I did not win the grand prize for the Somerset categories of Literary, Satire, Contemporary and General Fiction. That honor belongs to Donna LeClair, author of The Proprietor of the Theatre of Life, a manuscript. Congratulations, Donna LeClair! I look forward to reading The Proprietor of the Theatre of Life when it is published.

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3 January 2020

Cooperative Lives promoted from
"infamous Slush Pile" to Long List

2 February 2020

13 February 2020

13 July 2020

5 September 2020

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3 January 2020

Cooperative Lives promoted from
"infamous Slush Pile" to Long List

2 February 2020

13 February 2020

13 July 2020

5 September 2020

CIBA Award Process

Finally, there are many book categories other than literary, satire, contemporary and general fiction. There are fiction genres, including science fiction, romance, crime, historical fiction and young adult, there are children's books, and there are various categories of non-fiction, for example, self-help, biography, history and journalism. Chanticleer developed contests for authors of those books as well. So yes, there is an annual overall grand prize for the best book of any kind, which, I believe, the judges are still hotly debating - a hopelessly challenging task. Good luck, judges! And thank you, again, for the first place award in literary fiction. I am thrilled!

SOMERSET Book Awards for the Best Contemporary and Literary Novels – 2019 CIBAs

Cooperative Lives is the 2020 NYC Big Book Award winner in General Fiction

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Published: 14 August 2023

The New York City Big Book Award® announced its 2020 Winners and Distinguished Favorites.

My novel, Cooperative Lives, was voted winner in general fiction. Thank you, Gabby and Ted Olczac and everyone on the Independent Press Award team for making this award possible. I am honored and grateful.

The NYC Big Book Award is a global competition, open to all publishers, large and small. 2020 submissions arrived from six continents and more than 100 cities. Africa, Asia, Australia, Europe, North America and South America all took part. Major cities included Budapest, Cape Town, London, Los Angeles, Mumbai, New York City, Port of Spain, Vancouver and Victoria. Winners were recognized globally from Australia, Canada, England, India, Singapore, Uganda and the United States of America, among others.

“We are pleased to highlight these books, recognize their excellence, and share their achievements.” said awards sponsor Gabrielle Olczak. The awards program “foments a strong interest in these authors and publishing houses and we expect our winners and favorites to receive a heightened level of attention.” Olczak went on to say “the fact is that excellent books can be found globally, and we are happy to help bring them to a larger audience.”

2020 Winners - New York City Big Book Award

Cooperative Lives is a 2020 American Book Fest Best Book finalist in Best New Fiction

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Published: 14 August 2023

American Book Fest has announced the winners and finalists of The 2020 Best Book Awards on November 20, 2020. Over 400 winners and finalists were announced in over 90 categories. Awards were presented for titles published in 2018-2020.

My novel, Cooperative Lives, was honored as a finalist in best new fiction. Suzanne Redfearn won the category award with her début novel, In an Instant. Congratulations, Suzanne Redfearn!

Jeffrey Keen, President and CEO of American Book Fest said this year’s contest yielded over 2,000 entries from mainstream and independent publishers, which were then narrowed down to over 400 winners and finalists.

Keen says of the awards, now in their 18th year, “The 2020 results represent a phenomenal mix of books from a wide array of publishers throughout the United States. With a full publicity and marketing campaign promoting the results of the Best Book Awards, this year’s winners and finalists will gain additional media coverage for the upcoming holiday retail season.”

Winners and finalists traversed the publishing landscape: HarperCollins, Penguin/Random House, John Wiley and Sons, Routledge/Taylor and Francis, Forge, Hay House, Sounds True, Llewellyn Worldwide, NYU Press, Oxford University Press, John Hopkins University Press, The White House Historical Association and hundreds of Independent Houses contribute to this year’s outstanding competition!

American Book Fest is an online publication providing coverage for books from mainstream and independent publishers to the world online community. It has an active social media presence with more than 135,000 Facebook followers.

I am proud to be one of American Book Fest's 2020 Best Book Awards recipients.

THE 17TH ANNUAL BEST BOOK AWARDS - Full Results Listing by Category

Cooperative Lives is a 2020 IAN Book of the Year finalist in Literary Fiction

Details
Published: 14 August 2023

The Independent Author Network announced the results of its tenth annual Book of the Year Awards.

My novel, Cooperative Lives, was honored as a finalist in literary fiction. Claire Fullerton's Little Tea was voted best book in literary fiction and won the grand prize silver medal for best book overall. Congratulations, Claire Fullerton! Little Tea has definitely been added to my reading list.

IAN is a leading book promotion cooperative for self-published print, eBook, and audiobook authors, and those published by small presses, mid-size independent publishers and university presses. It is a partner member of the Alliance of Independent Authors and complies with its Code of Conduct. IAN has more than 600,000 followers on Twitter and 200,000 followers on Facebook.

The IAN Book of the Year Award is an international contest open to all authors with 40 fiction and non-fiction categories. Winners are eligible to receive a share of cash prizes exceeding $6,000 USD. It is considered one of the most competitive and economical book contests among indie publishers.

I am proud to be one of this year's award recipients.

2020 IAN Book of the Year Award Winners

Cooperative Lives is a 2020 International Books Awards finalist in general fiction

Details
Published: 14 August 2023

American Book Fest announced the winners and finalists of THE 2020 INTERNATIONAL BOOK AWARDS (IBA) on July 22, 2020. Among the finalists for Best General Fiction was my novel, Cooperative Lives.

Jeffrey Keen, President and CEO of American Book Fest, said this year’s contest yielded over 2,000 entries from authors and publishers around the world, which were then narrowed down to the final results.

Participating publishers included Simon & Schuster, HarperCollins, Penguin Random House, John Wiley & Son, Palgrave Macmillan, Houghton Mifflin Harcourt, Thomas Nelson, Forge, Loyola Press, Shambhala Publications, SoundsTrue, She Writes Press, Free Spirit Publishing and hundreds of national and international Independent Houses.

Congratulations to all winners and finalists, but especially Steven Manchester for his winning entry in the general fiction category, Bread Bags & Bullies: Surviving the 80s. I've added it to my reading list.

The International Book Awards

Cooperative Lives is now a Somerset Book Award Finalist

Details
Published: 14 August 2023
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3 January 2020

Cooperative Lives promoted from
"infamous Slush Pile" to Long List

2 February 2020

13 February 2020

13 July 2020

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3 January 2020

Cooperative Lives promoted from
"infamous Slush Pile" to Long List

2 February 2020

13 February 2020

13 July 2020

It's been quite a wait, but Cooperative Lives is a Somerset Book Award Finalist.

For those of you who have been following, the Somersets are a genre division of the Chanticleer International Book Awards (The CIBAs). The Somerset Book Awards recognize emerging talent and outstanding works in the genres of Literary, Contemporary and Satire Fiction -- i.e., the good stuff.

Chanticleer Book Reviews is an editorial review and author services company that hosts one of the largest, poshest and most-respected book writing conferences and award ceremonies in the industry. Ordinarily, the conference and ceremony are in mid-April at the luxurious Hotel Bellwether in Bellingham, Washington, with panel discussions and lectures by marquee names in writing and publishing. Unfortunately, the pandemic hit Washington State early and impelled Chanticleer to reschedule this year's events for September, and, just recently, to announce the conference and ceremony will be conducted virtually. Bummer.

One upshot is that book contest announcements were stretched over months rather than weeks. On January 4, Chanticleer announced my novel made it out of the slush pile (their phrase) onto the long list. A month later, it was short listed. By March 7, it was a semi-finalist. After four months of nail-biting, it is now a finalist. Two more months of suspense to go.

Thank you, Chanticleer. I am thrilled to be a finalist, just as I was thrilled to be a semi-finalist, short lister and long lister -- anything but a slush pile discard. And, congratulations to everyone else who made the cut. Let's all keep our fingers crossed for September. I am signing up for 6 days of zoom conferencing later this afternoon. Hope to meet many of you virtually.

Chanticleer Announcement

Fraudulent Book Review Services – Enas Reviews

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Published: 14 August 2023
Ratnesh Goswami - Internet Fraud

Several years back, a young Indian entrepreneur and professed book lover, Ratnesh Goswami (professional bio at https://in.linkedin.com/in/ratnesh-goswami-bb93b662, Facebook profile at https://www.facebook.com/AuthorRatnesh) began reviewing books professionally for the then-bargain price of $29.99 per review. His website www.enasreviews.com grew in popularity and orders flooded in. And that is when he ceased writing reviews. Mission accomplished: steady income, no deliverables, no recourse.

Ratnesh had two accomplices at Jay Digital Services LLP , Divyesh Pratap (https://in.linkedin.com/in/divyeshpratap) and, previously, Durgesh Pratap Singh (https://www.linkedin.com/in/durgesh-pratap-singh-a1a41632) – the owners by proxy of enasreviews.com. The web servers for Enas Reviews are operated by domainsbyproxy.com, a proven serial host of pfishing and porn sites that protects the privacy of its domain registrants zealously.

Ratnesh's other venture is, Book-Tweep, https://booktweep.com/. It promises 300 book tweets for $35. An empty promise. booktweep.com is registered with domainsbyproxy.com, meaning it's as trustworthy as enasreviews.com.

The only redress anyone has, short of filing suit over their $29.99 or $35 outlay, is to protect other authors and publishers from being similarly defrauded, and to shame the defrauders. This is my contribution to that effort.

The latest book award scam: Elite Choice Book Awards

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Published: 14 August 2023

Everyone knows I love book contests. I have entered most that have a track record and some that do not, but I screeched to a halt at this one, the so-called Elite Choice Book Awards at www.elitechoiceawards.com. There were far too many red flags.

Background

Someone claiming to be Katherine Hughes <This email address is being protected from spambots. You need JavaScript enabled to view it.> invited me via bulk email to enter my latest work in the Elite Choice Book Awards contest – one that offered a $5,000 grand prize. $5,000 is, by literary standards, a sizable award. Who wouldn’t want $5,000?

I dug deeper. To begin, Katherine’s email address was spoofed. "Her" real address is This email address is being protected from spambots. You need JavaScript enabled to view it., as was the link to the organization’s website, www.elitechoiceawards.com. "She" also uses 009601d64fc7$f8c16b40$ea4441c0$@aol.com. Nothing to hide, right? Props for transparency.

The IP address of the email spoofing service ConvertKit is 168.245.5.113, which was blacklisted by multiple firewall services, following recipient complaints.


About the Elite Choice Awards website

The domain name elitechoiceawards.com was registered with GoDaddy on June 14, 2020. Previous to June 14, 2020, the domain name did not exist. The registrant’s profile information is private, generally a red flag. There is no listed website administrator. Similarly, there is no contact information on the website.

What the website does contain are bold claims: international recognition and prestige, 2,500 previous winners, a complimentary editorial review, awards since 2017 – each remarkable, given that a Google search of “elite choice book awards” and “elite choice awards” generates zero hits before June 2000, and all those hits were self-generated by the website itself and its social media aliases at Medium and Twitter. In other words, despite all the asserted recognition and prestige, not a single winning author decided to publicize their respective award via the Internet, and not a single editorial review was deemed worth publishing.

Another red flag is Elite Choice's web-host, Domains By Proxy, the web-host of choice for legions of porn, gambling and other dubious enterprises, because of how zealously it protects the identity of its customers. Domains By Proxy is the "go to" web-host for businesses that have something to hide.


Payment

The site dispenses with a secure payment platform such as PayPal and does not permit payment by check. Instead, it harvests credit card information directly.

Direct credit card payment is extraordinarily dubious, especially when the payee’s identity and contact information are withheld. Needless to say, there is nowhere to send your book. It has to be uploaded, which contradicts the website’s PSA that all entries, once judged, are donated to local libraries. Plus, there is no cover upload button, so Elite Choices could not publicize winners or publish editorial reviews if they indeed wanted to.

Elite Choice's defense

I wrote "Katherine Hughes" on July 1, 2020, giving "her" an opportunity to explain. The reply was as follows.

Our old website was recently hacked, so to protect the safety and information of our customers, we have had to completely overhaul all of our systems including registering a new domain, creating a new website and support portal.
Due to COVID-19, we have had very limited support, so it is taking some time to re-upload all of our information (e.g. previous winners). Our #1 priority is the safety of our customers so we are treating this situation delicately to ensure our new systems are completely protected.

Were any of this true, there would still be thousands of citations on Google by previous winners. When and if previous winners are identified, I will reach out to them for corroboration. Until then, the asserted explanation is unpersuasive.

Bottom Line

The Elite Choices Book Awards are probably fraudulent. Nothing in the bulk email or on the website is verifiable. There is no grand prize. But someone will gladly harvest your credit card information. You just won’t know who.

The Steady Creep of Nationalism

Details
Published: 08 November 2019

This is the only time I have ever commented publicly about a reader review. My book appeals to some, turns off others. That’s the way it goes. And so it went with one reader review until I read the final criticism, one about inaccurately permitting a Greek character to bear a Slavic surname. Huh? Here, too?

I note in the preface that Cooperative Lives was written in 2013, before the present “global contagion of anti-immigrant nationalism.” No surprise, then, that the contagion spread to Online Book Club and infected one of its reviews.

It isn’t a favorable review, 2 out of 4, but that’s not uncommon. What is uncommon is the tacit nationalism of the criticism:

“Last but not least, the author struck a chord with a geographical inaccuracy I'm sensitive about. He did so by mistaking Macedonia with Greece and giving a character a Slavic Macedonian surname but a Greek passport.”

To be clear, the character in question is a Greek Cypriot national with a Slavic surname. The novel never mentions the respective land masses of Greece and the Republic of North Macedonia, and certainly doesn’t get them confused. But that is evidently not what annoyed the reviewer. In his post-Brexit, nationalist world, Greek characters must bear Greek surnames. Deviations are an “inaccuracy” or, worse, something that strikes a chord they’re sensitive about.

I’m sensitive about this subject, too, but in a different way. Back in 1982, when I was interviewing in law school, an attorney from Sidley & Austin conducted interviews on campus. There were twelve or thirteen pre-selected candidates, 30 minutes per interview, a call-back for one or two. When my turn came, he glanced at my résumé, observed me skeptically, then grilled me on “why I chose the name Finegan.” “You’re obviously not Irish,” he insisted. “What were you seeking to gain?” I was stunned. This was 1982. This was America. I explained that my father was Caucasian, that my mother was not. Explained this to … a lawyer. It’s the only interview I ever walked out on.

A close friend of mine hails from Iceland. His parents were natural born citizens of Iceland. All but one of his grandparents were from Iceland. My friend’s name is Moeller – a Swedish or German name, perhaps, but not Icelandic. I befriended him when he was still head of the Reykjavik Chamber of Commerce, back in 1990. He’s still a prominent civic figure in Reykjavik. I assure you; no one ever questioned the validity of his Icelandic passport.

Last I checked, Greece does not restrict the surnames of its citizens. Anyone who reads the news knows that the 2019 national Hellenic parliament includes members of non-Hellenic descent, including, quite prominently, Ilchan Achmet and Chousein Zeimpek. Yet they are Greek citizens with Greek passports. Imagine that; in this day and age!

The reader chose a German moniker, Herbstlicht. Apropos. Today’s New York Times ran a feature, “‘I Will Never Be German’: Immigrants and Mixed-Race Families in Germany on the Struggle to Belong.” It begins, “Thirty years after Germany’s unification, nearly 500 readers shared with us what it means to be German.” Five hundred respondents! I’ll bet dollars to doughnuts some had Slavic surnames.

There are plenty of gaffes in my novel, but the only chord this reviewer’s criticism struck was D-flat.

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